Dominic John - Camera Department

About Me

Hi there, I work as a freelance Camera Assistant and Cinematographer, based in London and Oxfordshire. I'm available to work on Features, Music Videos, Shorts and TV Dramas. I also have a full clean drivers license and a UK passport and am more than happy to travel. For a bit more about me head over to my 'bio' page. If you'd like to get in touch to chat about; working together, rate card, bookings or anything else head over to the 'contact' page.

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Summer 2014 Update.

One of the things that I love about filmmaking is the locations that I get to travel to and work in whether I’m working as a DOP or an assistant/trainee it’s always great fun and a challenge in equal amounts. This summer seems to be shaping up to be a busy one with the milage adding up, 3 jobs in France, 2 in Scotland and some potential one’s much further afield I think it’s going to be pretty full on. 

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Since I last posted lots has happened. The first TV docu that I’ve worked on as DOP aired on the Norweign TV Channel NRK at prime time the other week http://tv.nrk.no/program/koid22002614/ung-sprek-og-plutselig-doed which is awesome as the program came together really well. At the start of May I worked on my second small feature film as 2nd AC called ‘Making It’ which was great fun and real learning experience working with some awesome focus pullers and DOP Andy Alderslade. 

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I spent last week filming in the Maritime Alps, France with the cycling brand Mavic at a press launch of their new Crossmax XL WTS wheelset which as always was great fun, with some amazing riding and scenery and a great group of journalists and riders. The video should hopefully be up tomorrow. 

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The rest of May/June is looking pretty busy partly with new business coming in for myself and Dave Watt’s new corporate commercial company ‘Zion Creative’ http://zioncreative.co.uk/

In a couple of days I’m off to Scotland to cover the second round of the Enduro World Series in Tweedlove, Peebles for Singletrack Magazine as they are the media sponsor for the event. As one of the UK’s biggest mountain bike events in this summers calendar it should be a jam packed long weekend of amazing racing. So I’m really looking forward to getting stuck in and capturing some of the action. 

Lane 8 Music Video Shoot

Slightly delayed post, have kind of let the stories collect slightly over the past month or so. On a cold and rainy early January morning I found myself in the basement of a cool bar in Shoreditch, London (where else for a music video) 2nd AC’ing for DP and NFTS grad Andy Alderslade having worked with him previously on the feature ‘Two Down’ in October it was a pleasure to work with him and 1st AC Luke Jeffery again. Working with the Red Epic and Arri Ultra Primes on the Chapman PeeWee dolly. We were shooting mainly all high speed stuff at either 50fps or 100 fps. I doubled up as DIT for the day, which definitely made the shoot even more interesting as we had 4 x 128GB drives which we were almost constantly rotating. We finished the 13 hour day on 56 slates, pretty good for a one day music video shoot. Hope you enjoy the end result, was a great cast and crew. 

'Timber' Christmas Short Film

A couple of weeks ago me and some friends decided it would be fun to make a little christmas short film to get everyone into the christmas spirit. Here’s how it came about and the resulting film:

The project started in Mid-November with a blank notepad and some coffee to fuel the story’s conception. We wanted to keep it christmassy, simple, small, cheap and most of all fun for us as the filmmakers and for you as an audience. We spent a couple of weeks developing the script, casting, and sorting locations etc. We got the crew together for the 1 day shoot in the first week of December and spent the following 12 hours frantically capturing the story around the small Oxfordshire village of East Hendred. 3 days of solid editing and music composition followed and here’s the finished film. Hope you enjoy it and have a great christmas.

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It was originally going to be called ‘Christmas Tree’, but we decided to change it once we got into post. 

A couple of screenshots from the film:image

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New things and exciting times.

It feels like it’s been a whirl wind couple of months, from filming an interview in the house of commons, to standing on top of mountains working with some of the worlds top mountain bikers and finally working on a great feature that we’ve just wrapped on.

The feature is called ‘Two Down’, directed by Matthew Butler and DP’d by Andy Alderslade. It was a two week shoot over in Crouch End, London, with a fast paced schedule. I was working as Clapper Loader, with a really great hard working crew. I’ll make sure to post a trailer once it’s been released. 

Overdue update… Part 1

It’s been a long while since I lasted posted work or a general update, sorry about that, it’s been a busy old summer. I graduated from Uni back in June with a 1st in Film & Video Production which was great, but my main aim over the past year or so has to really try and work in film as much as possible. This has lead to a massive variety of projects, it’s been a great summer and I’m really looking forward to the years ahead. This summer has been a mixture of 1st AC work on various short films with some awesome cast and crews and i’ve learnt a lot, i’ve been fortunate enough to work with some really talented people. I’ve also been shooting some awesome adventure shorts with Trans-Provence a mountain bike race based in the Maritime Alps in Southern France to be released soon, as well as Mavic components over in France.

My main focus at the moment is working as a camera trainee or assistant on shorts and features to really gain a good understanding of larger scale productions and the way the camera department functions in those environments.

I’ve also been mixing in a bit of documentary work to keep things interesting. A crew of 3 of us are setting off on Sunday for 8 days to film the progress of director/presenter Michael Dorgan as he run’s from London to Brussels as part of a new documentary ‘Is Running Good For Us?’ (working title) that i’m lucky enough to be working on as camera operator. Four days after that I head off to work as camera op and editor on Trans-Provence 2013, which is set to be an amazing 7 days of racing and adventure. 

I promise to post a bit more often from now with updates etc :) image

(Above): Alexa sitting outside a dark tunnel whilst 1st AC’ing on a night shoot in Telford, UK. image

(Above) 1st AC’ing on a short film down in surrey in a slightly derelict house.

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(Above) On top of the world, shooting a short adventure film for Trans-Provence this summer out in Maritime Alps, France.

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(Above) Evening on an Island off the coast of Croatia as the sun is setting on the horizon, this was a holiday not work ;) 

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(Above) 1st AC’ing on a short film in an College building in Wallingford, UK.

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(Above) This was just a cool dog who was watching us pack away gear whilst on the Trans-Provence shoot in France.

On thursday we wrapped the 5 day shoot for 'Love Endeavours', our final graduation piece, it was a great 5 days on location in the Peak District and Derbyshire area of the UK with an amazing cast and crew. We were shooting on the RED Epic with Cooke Mini S4i's (re-branded Panchro's) on O'Connor 2060HD head tripod and Mantis shoulder rig. We had a pretty lightweight lighting set-up as we we’re travelling every day pretty much to new locations in cars to keep cost down, so I had a 2K HMI, 1K Arri Fresnel, 650w Arri Fresnel, 2x 300w Arri Fresnel, Solaris LED panel, a Kino Flo Diva 400 (which I didn’t use in the end) a couple of 2K open faces as back-ups, reflectors and loads of gels and difs etc. 
I was really pleased with how the Epic dealt with a massive range in shooting conditions, as we shot a mixture of natural and film lit scenes as well as some very low-light shots. 
My gaffer, Ben Turner did a great job on the shoot and was a joy to collaborate with as well as my 1st AC Maxwell Ainley and 2nd AC Ola Mesmer. It was a real team effort to get the shoot finished. 
Dave Watts, the director of the film did a stunning job at pulling the whole production together and was great to work with again. Really looking forward to getting into the grade in a couple of weeks time once the edits locked. Will hopefully be able to post a link to the trailer for the film in a couple of weeks time :) 
Zoom Info
On thursday we wrapped the 5 day shoot for 'Love Endeavours', our final graduation piece, it was a great 5 days on location in the Peak District and Derbyshire area of the UK with an amazing cast and crew. We were shooting on the RED Epic with Cooke Mini S4i's (re-branded Panchro's) on O'Connor 2060HD head tripod and Mantis shoulder rig. We had a pretty lightweight lighting set-up as we we’re travelling every day pretty much to new locations in cars to keep cost down, so I had a 2K HMI, 1K Arri Fresnel, 650w Arri Fresnel, 2x 300w Arri Fresnel, Solaris LED panel, a Kino Flo Diva 400 (which I didn’t use in the end) a couple of 2K open faces as back-ups, reflectors and loads of gels and difs etc. 
I was really pleased with how the Epic dealt with a massive range in shooting conditions, as we shot a mixture of natural and film lit scenes as well as some very low-light shots. 
My gaffer, Ben Turner did a great job on the shoot and was a joy to collaborate with as well as my 1st AC Maxwell Ainley and 2nd AC Ola Mesmer. It was a real team effort to get the shoot finished. 
Dave Watts, the director of the film did a stunning job at pulling the whole production together and was great to work with again. Really looking forward to getting into the grade in a couple of weeks time once the edits locked. Will hopefully be able to post a link to the trailer for the film in a couple of weeks time :) 
Zoom Info
On thursday we wrapped the 5 day shoot for 'Love Endeavours', our final graduation piece, it was a great 5 days on location in the Peak District and Derbyshire area of the UK with an amazing cast and crew. We were shooting on the RED Epic with Cooke Mini S4i's (re-branded Panchro's) on O'Connor 2060HD head tripod and Mantis shoulder rig. We had a pretty lightweight lighting set-up as we we’re travelling every day pretty much to new locations in cars to keep cost down, so I had a 2K HMI, 1K Arri Fresnel, 650w Arri Fresnel, 2x 300w Arri Fresnel, Solaris LED panel, a Kino Flo Diva 400 (which I didn’t use in the end) a couple of 2K open faces as back-ups, reflectors and loads of gels and difs etc. 
I was really pleased with how the Epic dealt with a massive range in shooting conditions, as we shot a mixture of natural and film lit scenes as well as some very low-light shots. 
My gaffer, Ben Turner did a great job on the shoot and was a joy to collaborate with as well as my 1st AC Maxwell Ainley and 2nd AC Ola Mesmer. It was a real team effort to get the shoot finished. 
Dave Watts, the director of the film did a stunning job at pulling the whole production together and was great to work with again. Really looking forward to getting into the grade in a couple of weeks time once the edits locked. Will hopefully be able to post a link to the trailer for the film in a couple of weeks time :) 
Zoom Info
On thursday we wrapped the 5 day shoot for 'Love Endeavours', our final graduation piece, it was a great 5 days on location in the Peak District and Derbyshire area of the UK with an amazing cast and crew. We were shooting on the RED Epic with Cooke Mini S4i's (re-branded Panchro's) on O'Connor 2060HD head tripod and Mantis shoulder rig. We had a pretty lightweight lighting set-up as we we’re travelling every day pretty much to new locations in cars to keep cost down, so I had a 2K HMI, 1K Arri Fresnel, 650w Arri Fresnel, 2x 300w Arri Fresnel, Solaris LED panel, a Kino Flo Diva 400 (which I didn’t use in the end) a couple of 2K open faces as back-ups, reflectors and loads of gels and difs etc. 
I was really pleased with how the Epic dealt with a massive range in shooting conditions, as we shot a mixture of natural and film lit scenes as well as some very low-light shots. 
My gaffer, Ben Turner did a great job on the shoot and was a joy to collaborate with as well as my 1st AC Maxwell Ainley and 2nd AC Ola Mesmer. It was a real team effort to get the shoot finished. 
Dave Watts, the director of the film did a stunning job at pulling the whole production together and was great to work with again. Really looking forward to getting into the grade in a couple of weeks time once the edits locked. Will hopefully be able to post a link to the trailer for the film in a couple of weeks time :) 
Zoom Info
On thursday we wrapped the 5 day shoot for 'Love Endeavours', our final graduation piece, it was a great 5 days on location in the Peak District and Derbyshire area of the UK with an amazing cast and crew. We were shooting on the RED Epic with Cooke Mini S4i's (re-branded Panchro's) on O'Connor 2060HD head tripod and Mantis shoulder rig. We had a pretty lightweight lighting set-up as we we’re travelling every day pretty much to new locations in cars to keep cost down, so I had a 2K HMI, 1K Arri Fresnel, 650w Arri Fresnel, 2x 300w Arri Fresnel, Solaris LED panel, a Kino Flo Diva 400 (which I didn’t use in the end) a couple of 2K open faces as back-ups, reflectors and loads of gels and difs etc. 
I was really pleased with how the Epic dealt with a massive range in shooting conditions, as we shot a mixture of natural and film lit scenes as well as some very low-light shots. 
My gaffer, Ben Turner did a great job on the shoot and was a joy to collaborate with as well as my 1st AC Maxwell Ainley and 2nd AC Ola Mesmer. It was a real team effort to get the shoot finished. 
Dave Watts, the director of the film did a stunning job at pulling the whole production together and was great to work with again. Really looking forward to getting into the grade in a couple of weeks time once the edits locked. Will hopefully be able to post a link to the trailer for the film in a couple of weeks time :) 
Zoom Info
On thursday we wrapped the 5 day shoot for 'Love Endeavours', our final graduation piece, it was a great 5 days on location in the Peak District and Derbyshire area of the UK with an amazing cast and crew. We were shooting on the RED Epic with Cooke Mini S4i's (re-branded Panchro's) on O'Connor 2060HD head tripod and Mantis shoulder rig. We had a pretty lightweight lighting set-up as we we’re travelling every day pretty much to new locations in cars to keep cost down, so I had a 2K HMI, 1K Arri Fresnel, 650w Arri Fresnel, 2x 300w Arri Fresnel, Solaris LED panel, a Kino Flo Diva 400 (which I didn’t use in the end) a couple of 2K open faces as back-ups, reflectors and loads of gels and difs etc. 
I was really pleased with how the Epic dealt with a massive range in shooting conditions, as we shot a mixture of natural and film lit scenes as well as some very low-light shots. 
My gaffer, Ben Turner did a great job on the shoot and was a joy to collaborate with as well as my 1st AC Maxwell Ainley and 2nd AC Ola Mesmer. It was a real team effort to get the shoot finished. 
Dave Watts, the director of the film did a stunning job at pulling the whole production together and was great to work with again. Really looking forward to getting into the grade in a couple of weeks time once the edits locked. Will hopefully be able to post a link to the trailer for the film in a couple of weeks time :) 
Zoom Info

On thursday we wrapped the 5 day shoot for 'Love Endeavours', our final graduation piece, it was a great 5 days on location in the Peak District and Derbyshire area of the UK with an amazing cast and crew. We were shooting on the RED Epic with Cooke Mini S4i's (re-branded Panchro's) on O'Connor 2060HD head tripod and Mantis shoulder rig. We had a pretty lightweight lighting set-up as we we’re travelling every day pretty much to new locations in cars to keep cost down, so I had a 2K HMI, 1K Arri Fresnel, 650w Arri Fresnel, 2x 300w Arri Fresnel, Solaris LED panel, a Kino Flo Diva 400 (which I didn’t use in the end) a couple of 2K open faces as back-ups, reflectors and loads of gels and difs etc. 

I was really pleased with how the Epic dealt with a massive range in shooting conditions, as we shot a mixture of natural and film lit scenes as well as some very low-light shots. 

My gaffer, Ben Turner did a great job on the shoot and was a joy to collaborate with as well as my 1st AC Maxwell Ainley and 2nd AC Ola Mesmer. It was a real team effort to get the shoot finished. 

Dave Watts, the director of the film did a stunning job at pulling the whole production together and was great to work with again. Really looking forward to getting into the grade in a couple of weeks time once the edits locked. Will hopefully be able to post a link to the trailer for the film in a couple of weeks time :) 

About a month ago we started pre-production on a new short film written and being directed by Dave Watts, that I’m DP’ing on. It’s a short romance set in the heart of England mainly in the Peak District area. We’re shooting on the RED Epic and are in discussion about which lens set to go for. The shoot is set to be in Mid-March with the films completion around early June, and an aim to go to various festivals around the world with it. It’s also our graduation piece, so we really want to push what we’re capable of as filmmakers. Here’s a link to our IndieGoGo funding page, any support is really appreciated: 

http://www.indiegogo.com/projects/love-endeavours/x/426132?c=home

This week I’m out in Peillon, France shooting press videos for the Mavic Notch press camp. The riding is stunning out here, and whats just as cool is that the trails are rideable and not completely covered in snow like the rest of Europe.  
Zoom Info
This week I’m out in Peillon, France shooting press videos for the Mavic Notch press camp. The riding is stunning out here, and whats just as cool is that the trails are rideable and not completely covered in snow like the rest of Europe.  
Zoom Info

This week I’m out in Peillon, France shooting press videos for the Mavic Notch press camp. The riding is stunning out here, and whats just as cool is that the trails are rideable and not completely covered in snow like the rest of Europe.  

We’ve just recently released a short christmas film, shot under FLUX motion productions. I was the DOP on the short shot on RED Epic and One in the Peak District, UK. Sorry this post is a bit past christmas, but its been a busy time. It was a great day long shoot, but the weather was brutal, with lots of camera kit to lug around the field we were shooting in as well as portable genie and lights. But it was a fun little short that we thought would be a good chance to get everyone into the christmas spirit. Hope you enjoy it. The links below:

Christmas Lights - Short Film from Dave Watts on Vimeo.

A couple of weeks ago I posted about DP’ing on a music video for the band Morain, filming a sofa session style acoustic video for their track ‘Are We Lost’, to go alongside their studio version of the track. We did a live recording of the audio and then did playback after that, it was shot on RED One and Sony F3. Here’s the finished piece, hope you enjoy it as much as we did shooting it :D 

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